Encaustic Series

This body of encaustic work began in 2022 and continues to the present. Although wax and acrylic are traditionally considered incompatible, their interaction on panel surfaces creates complex and compelling visual effects. The series originated through the incorporation of small fragment paintings from the Gillnet series, executed on natural mica.

These mica fragments are combined with archival digital images derived from Andres’ earlier underwater marine photography, bringing together multiple phases of his practice. Encaustic beeswax and jojoba wax bind mica, photographic elements, and other collaged materials to the panel surface. Netting and additional found materials are embedded into the work, forming layered environments that reference the ongoing degradation of ocean habitats.